South of France Magic and Make-Believe

Quite by chance, while internet browsing, I came across an article in Variety magazine – almost a film industry bible – announcing a new film studio complex converted from warehouses to be opened on the outskirts of Marseille. This is exciting news.

France’s Mediterranean coastline from Marseille all the way to Monaco and onwards to Menton and the borders of Italy has always been popular as a backdrop to cinema.

Cannes to Monte Carlo, for example, was glitteringly captured in Hitchcock’s To Catch a Thief.
Much of the glamour of the French Riviera has been built on its twentieth-century film history including, of course, its renowned Cannes Film Festival which I wrote about for the HistoryGirls here:

I mentioned in my January blog that several chapters of my new novel, THE LOST GIRL, are set in Nice, post WWII, including at the iconic La Victorine Studios.

Most people when they think of filmmaking hubs tend to cite Hollywood or Bollywood or perhaps some of the old British studies such as Elstree. France is known for its thriving film industry, one that is very well supported by the State, but I think on the whole the average filmgoer would consider Paris as France’s cinema centre. There are indeed several studios in and around Paris that have been producing films for well over a century now (late 1890s), but there is also the South of France. It was, and still is to a lesser degree, the Hollywood of France mainly due to its fabulous locations, but not solely for that reason.
Marcel Pagnol, the Provençal novelist, playwright and filmmaker became, in 1946, the first cineaste to be elected to the Académie Française. Although he died in 1974 he remains internationally known  for his marvellously evocative…

Similar Posts